Animoto, with Boost from Amazon GPUs, Goes High-Definition

wedding photographers, who typically resell the videos to their own clients, and realtors, hotel managers, and wineries, who use them for marketing, Jefferson says.

But Animoto still cares about average consumers, so it’s busy converting more styles to HD and creating better mobile apps—“This year we’re going to be investing very heavily in mobile, but making sure there are ways to monetize it,” Jefferson says. If Apple allows iOS developers to include an in-app subscription option in future apps, that could make Animoto’s iPhone app more profitable, as it would allow free users to upgrade to one of the premium plans, he says. An iPad app may also be in the works, but that depends in part on whether Apple’s anticipated iPad 2 includes both front and rear cameras, which would enable users to both shoot and assemble HD videos on the same large-screen device.

To handle all this work, Jefferson says the company plans to roughly double its staff this year, from 40 to 80, with about 30 engineers and marketers eventually working from San Francisco (as he always has) and the rest in New York.

Ultimately, Jefferson says Animoto is about helping users make snazzy, shareable videos without having to learn their way around complex desktop software like Apple’s iMovie or Microsoft’s Windows Movie Maker. Part of the startup’s advantage over potential rivals is a patent-pending “Cinematic Artificial Intelligence” engine that makes editing decisions based on the characteristics of a musical track—beat, tempo, energy, rhythm, and climactic elements—as well as attributes of the user’s images. “This whole process is part of our secret sauce to emulate what real Hollywood directors and editors do,” Jefferson says.

But while the visual effects may be handled by sophisticated algorithms, users themselves still have to capture the images, decide what order they should appear in, and choose a soundtrack. “It’s about creation, but creation as a means to an end,” says Jefferson. “What you’re really trying to do is share with your friends and family. When you sit down to iMovie or Windows Movie Maker, there is anxiety, because it’s work that has to be done. Animoto wants to relieve that creative anxiety altogether.” And provide a high-definition way to share precious memories.

Author: Wade Roush

Between 2007 and 2014, I was a staff editor for Xconomy in Boston and San Francisco. Since 2008 I've been writing a weekly opinion/review column called VOX: The Voice of Xperience. (From 2008 to 2013 the column was known as World Wide Wade.) I've been writing about science and technology professionally since 1994. Before joining Xconomy in 2007, I was a staff member at MIT’s Technology Review from 2001 to 2006, serving as senior editor, San Francisco bureau chief, and executive editor of TechnologyReview.com. Before that, I was the Boston bureau reporter for Science, managing editor of supercomputing publications at NASA Ames Research Center, and Web editor at e-book pioneer NuvoMedia. I have a B.A. in the history of science from Harvard College and a PhD in the history and social study of science and technology from MIT. I've published articles in Science, Technology Review, IEEE Spectrum, Encyclopaedia Brittanica, Technology and Culture, Alaska Airlines Magazine, and World Business, and I've been a guest of NPR, CNN, CNBC, NECN, WGBH and the PBS NewsHour. I'm a frequent conference participant and enjoy opportunities to moderate panel discussions and on-stage chats. My personal site: waderoush.com My social media coordinates: Twitter: @wroush Facebook: facebook.com/wade.roush LinkedIn: linkedin.com/in/waderoush Google+ : google.com/+WadeRoush YouTube: youtube.com/wroush1967 Flickr: flickr.com/photos/wroush/ Pinterest: pinterest.com/waderoush/