FADE IN: NewBlue Founders Bring FX Catalog to Mobile Video Platform

Melissa Jordan Grey and Todor Fay trapped lightning in a bottle when they sold their Atlanta-based music software startup, Blue Ribbon SoundWorks, to Microsoft in 1995 (for an undisclosed amount). As part of the deal, they joined Microsoft (NASDAQ: [[ticker:MSFT]]), which merged their audio editor software with its DirectSound technology. As they tell the story, the Redmond, WA software giant kept the Blue Ribbon team as a self-contained unit, and told them to integrate their interactive music technology with practically everything else in Microsoft’s product line.

“We learned so much while we were there,” Grey recalls. “We basically left there with another degree.”

Grey and Fay, who are married, moved to San Diego in 2003. Now the new media entrepreneurs are hoping to do for digital video production what they did for music software.

After working for years in their La Jolla home, Grey and Fey revealed their latest software startup, NewBlue, with the 2006 debut of NewBlueFX, a series of software plug-ins that automate the process of editing video transitions, light blending, and other special effects. Today NewBlue’s lineup of desktop digital editing products comprises 14 distinct video and audio plug-ins (for both Windows and Mac) featuring a total of 978 “presets” that are much like fixed palette tools for video special effects. The company sells its products directly from its own website or bundled with video-editing systems sold by Adobe, Sony, Avid, Corel, CyberLink, Magix, Pinnacle Systems, and Grass Valley.

Now NewBlue is on the verge of unveiling a new initiative in mobile digital video editing with the introduction of Vibop, which Grey says is scheduled to debut as a Beta version on Apple’s iPhone app store within the next week or so. In weeks to come, the company plans to follow its Apple debut with a similar suite of cloud-based, video-editing apps for the Android operating system. The move represents a substantial push by NewBlue into the mobile market that will allow smartphone users to enhance and share their video clips.

As NewBlue rolls out its mobile offerings, which include cloud-based storage for users’ videos, the startup also is moving to raise $1 million in early stage funding from individual investors in San Diego. Grey and Fay said they initially funded the startup themselves, and have largely bootstrapped NewBlue’s software development. Since 2006, the company has been operating purely off the revenue generated from its desktop video editing products, Grey says. The development of Vibop’s suite of mobile apps was funded entirely by a 70 percent year-over-year increase in revenue at NewBlueFX.

In developing Vibop’s catalog of mobile apps, Grey says they also

Author: Bruce V. Bigelow

In Memoriam: Our dear friend Bruce V. Bigelow passed away on June 29, 2018. He was the editor of Xconomy San Diego from 2008 to 2018. Read more about his life and work here. Bruce Bigelow joined Xconomy from the business desk of the San Diego Union-Tribune. He was a member of the team of reporters who were awarded the 2006 Pulitzer Prize in National Reporting for uncovering bribes paid to San Diego Republican Rep. Randy “Duke” Cunningham in exchange for special legislation earmarks. He also shared a 2006 award for enterprise reporting from the Society of Business Editors and Writers for “In Harm’s Way,” an article about the extraordinary casualty rate among employees working in Iraq for San Diego’s Titan Corp. He has written extensively about the 2002 corporate accounting scandal at software goliath Peregrine Systems. He also was a Gerald Loeb Award finalist and National Headline Award winner for “The Toymaker,” a 14-part chronicle of a San Diego start-up company. He takes special satisfaction, though, that the series was included in the library for nonfiction narrative journalism at the Nieman Foundation for Journalism at Harvard University. Bigelow graduated from U.C. Berkeley in 1977 with a degree in English Literature and from the Columbia University Graduate School of Journalism in 1979. Before joining the Union-Tribune in 1990, he worked for the Associated Press in Los Angeles and The Kansas City Times.